The under-painting for this one is cad orange and some cad yellow medium. Unlike some of the others of the series, there is no single large tree, but a characteristic texture of foliage, branches and light. I played with a variety of colours for the sky peeking through – blues, mauves, turquoises… That and the bits of under-painting that remain, give a nice vibrancy.
This is the second last of the series! The next post will include the centre piece and all nine 6″x 6″ paintings put together. 🙂
Here is Tom’s haiku written just for this piece – I don’t see any squirrels but I sure can imagine them!
searching bursts of green
ruffled breezes passing by
shaking squirrels on high
This is one of my favourites of the series. I can really feel the height of this giant tree and the light filtering through! The under-painting was cad orange and while I found it a bit visually uncomfortable during the process for some reason, I think the end result is good. Curious.
Here is Tom’s mystical haiku written for this one.
bright starburst branches
tangled future, ancient past
rising to the sky
This series continues to be so enjoyable to paint! There’s an infinite variety of greens to play with and the contrast with the various back-painting shades has been an interesting exploration. With this one, the back-painting was a warm enough red to be verging on orange.
Here’s Tom’s haiku written just for this painting.
lies behind the palisade
sunlight filters through
Number three in the series, this one has a magenta under painting. The particular tree is an enormous western red cedar with a twisted trunk I saw in Stanley Park. I like how it starts to melt into the sky.
Here is Tom’s haiku written for this one!
Braided branching trunk
Twisting high into the sky
Shadows down below