Pansies

Pansies (8″ x 8″ oil on raised panel)

A small bouquet of pansies from the garden – subtle shades of velvet. I love how this one came out. It almost makes you want to put your nose to the painting!

Tom wrote a haiku that perfectly evokes the day.

butterflies gather
fluttering in shadowed light
lazy summer days

image (c) Hilary Farmer
poem (c) TJ Radcliffe

Wind Flower

Wind Flower (24″ x 36″ acrylic on canvas)

This painting started life as an abstract and some elements of that are still here. However, the piece really started to develop after a visit to a friend’s beautiful garden back towards the end of August. That’s when floral elements started to show themselves. I went back and forth on this one for about a month building up layers and thinking about it before I finally decided it was finished. The title comes from the anenomes that are on the right side which are sometimes called “windflower” and as well, the feeling of a breeze drifting through the petals of all the sunlit flowers.

Here is Tom’s lovely haiku which captures the scene so succinctly.

dawn over garden
summer world in soft dissolve
through the morning mist

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

Sunflowers and stripes

Sunflowers and stripes (8″ x 8″ oil on raised panel)

Having bought some sunflowers at the market back at the end of August, I had to paint them of course. I decided to use extra thick and juicy brushstrokes a la Van Gogh. Sunflowers just seem to want that approach.

Tom wrote a haiku that gets to the heart of the painting in so few words.

transient fires burn
triumvirate of blossoms
brighten summer days

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

White garden roses

White garden roses (8″ x 8″ oil on raised panel)

I do love flowers in their natural setting more than those in a vase. This is a study in white playing with the warm and cool tones to give a natural play of light and shadow on the petals.

Tom wrote a haiku for this one that captures the essence of the moment.

delicate scent wafts
petals open to the sun
summer afternoon

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

Drumbeg view – summer

Drumbeg view – Summer (8″ x 10″ oil on canvas)

Another plein air piece from July. There is a wonderful park along the ocean that I hope to paint many more times. The mood of the sky and water is different every time. This day, the tide was somewhat low showing shallow rocks extending out from shore. A leaning tree, some wave action and a calm sky complete the scene.

Tom wrote another haiku for this one encapsulating in words my memory of painting that afternoon.

somewhere to the south
beyond warm summer mists
passage to the sea

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

Elder Cedar Summer Path

Elder Cedar Summer Path (8″ x 10″ oil on canvas)

I painted this one en plein air back in July. It was a warm sunny day and I enjoyed being enveloped in the moist shade of the forest. The light – even in the depths – was friendly and welcoming.

Tom wrote a haiku for this that touches on the feeling of the time I was there as well as the sense of passing time.

entangled branches
hide fall mysteries beyond
our summer senses

image (c) 2020 Hilary Farmer
poem (c) TJ Radcliffe

Lingering evening

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Lingering evening (10″x 8″ oil on raised panel)

Wow – what a long beautiful summer evening that was! I painted this en plein air from the deck of our sailboat just a couple of days off the solstice. I thought I would get some wonderful sunset colours but I would have had to wait longer than I felt like. Anyway, the subtle tones are lovely too, I think.

Tom wrote a haiku with an appropriately Zen feeling for this one!

ten thousand years hence
this long summer evening light
will still be here now

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

Arranging flowers

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Arranging flowers (11″ x 14″ acrylic on canvas)

I have been playing more with acrylics lately than I have for a long time. Feeling experimental! This peonies in a vase composition was painted from my imagination using lots of layering, mark-making and impasto – another piece that felt very freeing.

Tom’s haiku is a perfect accompaniment!

cut blossom glass vase
petals falling in the sun
lazy summer morn

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

Tulips

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Tulips (20″x 20″) oil on canvas

This larger tulip painting doesn’t look much like the study posted previously but I think they each have different things going for them. I especially enjoy the undulating leaves in the foreground in this one.

Here is Tom’s haiku written for this painting. As he said – “Small poem for a large painting! They seem innocent and open, but the wood behind…”

pink, red, open, closed…
tulip blossoms greet spring sun
keeping no secrets

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

Winter ditch

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Winter ditch (8″ x 10″ oil on raised panel)

Maybe it comes from my days working in architecture, but I enjoy looking at things in “plan view” (straight down). And recently, the beauty of the minutia we usually ignore right at our feet is drawing me in. There is so much life and colour there, once I stop to really look. The summers here get quite warm and very dry so I’m enjoying the rain and wet …well most of the time!

Here’s Tom’s haiku to go with this painting. 🙂

living rill feeds green
ripe grasses catching sunlight
ditch runs with spring rain

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe