When I bought this bouquet, it had other colours of flowers in it as well, but I just felt like trying something more monochrome. Pretty pleased with how this turned out. Even though it’s quite a bit larger than I have been painting, I got the painting laid out and largely developed in one session and finished it up in another while the oil paint was still nice and moveable. So not quite alla prima but close.
Once again, Tom has found something profound to say about my painting – this time in haiku form.
I painted this towards the end of summer. The image of these early blue spring flowers had stayed in the back of my mind for months and so I finally got around to painting them. Commonly called blue squill, they are most beautiful as a grouping …like stars scattered in the grass.
Tom’s haiku celebrates their (possible) origin.
fine flower of spring
dreams of far Siberia
beneath warmer suns
Like the previous painting, this one was a product of my imagination. I was focused on pattern and tone but after setting up the overall composition, this was a rare (for me) case of the painting telling me what it needed. A wonderfully joyful process!
Tom wrote a haiku to accompany this one. As usual, it feels just right for the piece!
bold rising colours
complex swift simplicities
evoke the rose
After the chill in the air from the precious painting, I was in the mood for something evoking warmer times ahead! This piece is based on a photo from a friend in Taiwan – thanks Claire! – but the flowers look a lot like local azaleas.
Here is a haiku from Tom!
buds dreaming of pink flowers
amidst dark green leaves
I decided to paint a larger work using the earlier small koi pond paintings as inspiration. As the size of a painting increases, the challenges can become exponentially greater. When paint starts drying, my usual alla prima techniques won’t work and it can be a struggle to keep the brushwork loose and fresh. Still, I hope I captured the feeling of the cool autumn evening watching the drifting willow leaves and lazily swimming fish.
Next time, I will try for the same feeling with a greater economy of brushstrokes!
Here is Tom’s haiku – he always uses just the right number of words 🙂
crooked branches bend
koi following time’s long curve
down straight water paths
Another painting from my visit to the Sun Yat-sen Garden in Vancouver. This one focused on the lily pads and reflections from the shore and sky.
Tom’s haiku for this one is …just perfect.
another world waits
through the water’s weathered glass
koi pass bare branches
And if you have a taste to see what this garden looks like …and feels like, check out this short film commissioned by the Dr. Sun Yat-sen Garden Society of Vancouver. Tom wrote the screen play and it really captures the place in a special way.