Starting with a poppy in the centre of this mandala seemed in tune with this time of year. Poppies and remembering.
Life is rather unsettled at the moment so it may be a while before I watercolour this. I wanted to share the black and white version anyway – since black and white also seems in tune with November.
Tom’s stirring poem:
Storm winds blow the scattered leaves of autumn
through the empty air, across the fields,
into ditches, craters, holes, and trenches
where a sniper aims for lost ideals:
service, duty, glory, resolution,
patriotic feeling, good and right,
huddled in the rank’s malign confusion
readying to rise and charge and strike.
The minutes tick around the face of time
measuring the heartbeats of the dead
breathing in the shadows, asking why
the blood of men so innocent is shed
for empire and for nation and for fear,
when all who seem so far are truly near.
In memory of Private George Lawrence Price, the last Canadian to die in WWI, two minutes before the Armistice:
This mandala was drawn over several days with the intricate motifs taking on a life of their own. I don’t analyze these; they are the process and become whatever they become. The end results aren’t planned and so can be quite surprising.
Tom saw something deep in this mandala inspiring him to write this amazing poem. As I sometimes do, I took the title of the mandala from one of his beautiful lines.
Within the door where dwells the King of All
now slumbering, exhausted by the trials
of life and rule and matters great and small
his ancient face is youthened by a smile
slow, soft and happy, lingering on old
deep memories of when the world was new.
Upon the door, fine-cut into the wood
the pattern of the world stands bold and true
to all that he once dreamed. There is a child
who stands before the door, his eyes entranced
by intricate emblazonments of wild
leaves and flowers spinning through their dance.
The Old King wanders through the door at last
The Young King stands before the living past.
Tom adds: I get a sense of age and tradition as well as wild beauty from this: there’s something timeless and eternal as well as continually renewing.
If peacocks made snowflakes, maybe they’d look like this… I was thinking about the mandala calendar for this year and thoughts of winter months inspired this one.
I love the poem Tom wrote for this. It’s all festive swirl and glitter with hidden depths. Tom says: This one has a (very) little of James Joyce’s famous short story “The Dead” in it, which is often touted as the greatest in the English language, although I’d put Kipling’s “The Gardener” up against it. Here’s a link for those who (like me) haven’t read this yet or would like a refresher. http://www.online-literature.com/james_joyce/958/
Kaleidoscopes of winter snow
fall across the icy sky
upon the ladies as they go
to Christmas soirees, “By the by,
I must admit I love that shawl,
with orchids, stars, a forest tall,
it looks so warm and cozy-soft,
like otters snuggled in a croft
beneath a landscape, frozen, cold
where carolers sing songs of joy
their voices by the stillness buoyed
up to the sky’s wide peaceful fold
as stars look down upon our lives:
like blowing snow we swirl and rise.”
This one ended up with a strong somber tone. I’m not sure why since I started with a flower! It’s a mystery. Anyway, the title arose because it felt like etching or metal inlay by the time I was done. We’re nearing the end of summer with autumn starting to give a hint of its cool breath. Perhaps that was in the back of my mind. Someone recently asked me about the meanings of mandalas which I have not studied deeply at all. I imagine that any analysis of my mandalas would say more about my psyche than about the iconography of any particular tradition.
Etched upon the sky’s grey steel
the trees of autumn raise their arms
while burnished roots both hold and heal
warding all from hurt and harm
keeping something in the centre
open, free, a door to enter
from the wind-blown darkling plain
where armies clash in cloud and rain
into a world of peace and strength
that can’t forget the promised spring
where still, perhaps, a bird might sing
while in some burrow, giving thanks,
a woodland creature, small and rare,
dares look out to see what’s there.
The inspiration for mandalas is still strong! I am enjoying sitting (and spending hours and hours) to draw and paint these! Completing the ink work is the longest phase because there is so much detail and then even more fun – deciding on the colour palette to really bring the image alive. Joyful. As usual, this one evolved as I went along. I did not expect the faces until they appeared!
Tom’s poem goes magically along with the image.
Adrift upon a sea of flowers
dreaming softly side by side
turning through this night of ours
as dusk to dawn we gently glide
from face to face within our dreams
trying on each one that seems
to fit the moment or the place
it vanishes without a trace
into the mystery at the centre
where a deeper beauty grows
beneath a lotus, not a rose:
a door where starlight yearns to enter
as we move on to other hours
snuggled here among the flowers.
Experimental! I have tried doing oil painting mandalas before but this is larger and so I could include more detail …maybe too much detail! There is an obvious floral theme but if you look closer, there are birds all around the outside pointing towards the centre.
Tom’s take on this one inspired the title of the piece.
Birds in camouflage abound
within the bride’s high-flung bouquet
tumbling far above the ground
sent in joy upon its way
toward the waiting hands of all
who stand on toes and reach up tall
to grasp the prize of prizes now,
the talisman that tells them how
their turn is next in love. It bursts
asunder with a flock of birds
that spin in brightly coloured herds
above the crowd now in reverse.
Yet she who’s steadfast, true, and bold
still stands to catch the flower’s hold.