Nola’s Lily Pond

Nola’s Lily Pond (8″x8″ oil on raised panel)

About a week after my first visit to Nola’s pond, I had the chance to go back and focus on the now blooming waterlilies. What a treat. There is something about painting waterlilies …I guess Monet was onto something!

image (C) 2021 Hilary Farmer

Margaret’s Garden

Margaret’s Garden (8″x 10″ oil on raised panel)

Another lovely day in late June spent painting a garden. I was so pleased to be able to create this piece which ended up having quite a personal resonance for the owner.

Margaret’s Garden (Setup)

And here is the setup in the strong sunshine we had that day.

Have I mentioned how much I enjoy my plein air set up? It’s a Coulter Easel, and I have been using it for a couple of years now both for plein air and often (at least for smaller paintings) in the studio too. It is compact and very ergonomic with the palette and painting held at the perfect heights for working …and in cases like this with sloped ground, it is very easy to adjust a leg of the tripod to compensate for the terrain.

images (C) 2021 Hilary Farmer

Nola’s Pond

Nola’s Pond (8″x 10″ oil on raised panel)

Another friend/neighbour invited me to paint their lovely garden. I really enjoyed the pond here! A chance to get into the shadows and reflections in the pond as well as the varied planting around (and in) it. In June, the irises were still blooming and the waterlilies were just starting to show some colour.

image (C) 2021 Hilary Farmer

Jenny’s Summer Garden

Jenny’s Summer Garden (8″x10″ oil on raised panel)

Another lovely few hours spent in someone’s garden painting a lovely view. Back in June when this was painted, everything was fresh and blooming. All that crazy summer heat we experienced was yet to come.

Jenny’s Summer Garden (Setup)

I have in the past been used to keeping pretty much up to the minute on this blog but actually, I find I have really been enjoying looking back from the distance of a few months and dare I say feeling a sense of accomplishment for everything I did in this (still) rather strange period of history. From the perspective of a bit of time, I no longer see the breaks and gaps but just the work. Interesting.

image (C) 2021 Hilary Farmer

Jane’s Garden May

Jane’s Garden May (8″ x 10″ oil on raised panel)

Back to plein air painting. I have a friend who lives quite close by and has a most delightful garden. I painted there three times this summer and each time it was a different kind of treat. In May, the peonies, roses and irises were showing all their bounty. So lush and joyful.

Jane’s Garden May plein air setup

images (c) 2021 Hilary Farmer

Tulip Time

Tulip Time (8″x 8″oil on raised panel)

Tulip Time was painted back in April when the tulips were fresh and delightful. Each season brings its own charm. I painted this one plein air out on the deck but simplified the background.

I decided to do a flatlay to show this painting off in a different way for my new website. By-the-way, that is up and running now! Same web address (www.hilaryfarmer.com) will take you to my newly hosted and fresh looking website. Hope you check it out!

Tulip Time flatlay

images (c) 2021 Hilary Farmer

Daniel’s Way View

Daniel’s Way View (8″x 10″ oil on raised panel)

A sunny day back in the spring. I was perched rather precariously on a large rock with my setup. It doesn’t look too bad in the photo, you’ll just have to trust me on that! 😉

The sea looks different every time …and the scudding clouds and the distant mountains too. Looking at a plein air painting always takes me back to the feeling of being in that place at that time, with the feel of the breeze and the smell of the ocean. Looking at this I just remembered I was visited by sea lions while I was painting this one. If they had come much closer, I would have packed up but they stayed down on the rocks off to the right of the frame of this painting. It was pretty magical.

Daniel’s Way View setup – looking not as steep as it actually was!

images (c) 2021 Hilary Farmer

Lingering evening

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Lingering evening (10″x 8″ oil on raised panel)

Wow – what a long beautiful summer evening that was! I painted this en plein air from the deck of our sailboat just a couple of days off the solstice. I thought I would get some wonderful sunset colours but I would have had to wait longer than I felt like. Anyway, the subtle tones are lovely too, I think.

Tom wrote a haiku with an appropriately Zen feeling for this one!

ten thousand years hence
this long summer evening light
will still be here now

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

From Bell’s Landing

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From Bell’s Landing (10″ x 8″ oil on raised panel)

This was painted plein air and alla prima. I took my gear to a local park and carried it down to the beach, setting up looking across the shallows towards Entrance Island with its lighthouse, and the mainland mountains beyond. The sky was also cooperating with some lovely mauve and creamy clouds. So beautiful here… Happy to say someone who saw me painting it while walking their dog bought this piece!

Tom wrote a poem that goes with this painting but also speaks deeply to the feeling of living here, I think.

There is a place where light and water touch
Where distance is illusion and the truth
Swirls the summer clouds.

There is a place where one might hear a note
From orchestras not strictly of this Earth
Echo off the rocks.

There is a place where time itself is still
and waves reflect the motion of the wind
as silent eagles soar.

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

Spring flames

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Spring flames (6″ x 8″ oil on raised panel)

Here is a little study from when the tulips were just starting to show their colours. I was playing with the brush strokes and the colour palette for this. Although I actually like how it looks, the bigger painting of tulips I did after turned out quite different. Hopefully I can post that one soon.

Tom wrote a beautiful poem for this one.

Some fires burn more brightly in the sun
and in the dark retreat to embers, cool,
exploding once again to join the fun
while playing for the rest of us the Fool
who trips and stumbles, bounces up again
whenever springtime sunshine touches down
to warm the Earth while shyly singing wrens
banish by their edicts every frown.
Behold the flames that stir the winter heart,
rising toward the sky in hopeful light
to lift the spirits, signalling the start
of another day before the night.
For though the fire is fleeting it will burn
again in other hearts as seasons turn.

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe