Here is a little study from when the tulips were just starting to show their colours. I was playing with the brush strokes and the colour palette for this. Although I actually like how it looks, the bigger painting of tulips I did after turned out quite different. Hopefully I can post that one soon.
Tom wrote a beautiful poem for this one.
Some fires burn more brightly in the sun
and in the dark retreat to embers, cool,
exploding once again to join the fun
while playing for the rest of us the Fool
who trips and stumbles, bounces up again
whenever springtime sunshine touches down
to warm the Earth while shyly singing wrens
banish by their edicts every frown.
Behold the flames that stir the winter heart,
rising toward the sky in hopeful light
to lift the spirits, signalling the start
of another day before the night.
For though the fire is fleeting it will burn
again in other hearts as seasons turn.
This one was quite experimental for me. I did not use my usual transparent under layer method and was playing with some different colours. Like the previous painting this one was from my imagination …but it sure took an unusual direction!
Tom saw a whole different world within my painting and wrote this poem!
A wooden door is built into the wall
of dry-stacked stone that bounds the little lane
between the elf-mounds. Curious, and small,
the door’s ajar, a gate to other planes.
The wood is grey and weathered, like the stones
which grow with moss and lichen, ancient rime.
I put an eye up to the gap. Alone
I’ve wandered here, beyond my proper time.
A face shows by a hollow in the dusk,
someone familiar, yet so far away…
I turn and see the lane-way, feel I must
continue on my journey. I can’t stay.
Above the stars are pentagons of light
while I walk on, across the fields of night.
This piece was straight from my imagination and pure play. I love these colours and the way the roses are starting to dissolve into the background.
Tom’s poem is as fantastical as the painting! It could be the seed of a wonderful story and yet it’s enough as it is.
“Why must we learn the art of flower making?”
asked the Acolyte. The Master smiled.
The Acolyte went on, “Are we not breaking
the Rule that time is wasted, minds beguiled,
by the frivolous? We reproduce
what Nature does much better. Why is that?”
“Because we find it is an art of use,”
the Master said. He laid a book down flat
and gently tore a page, forbidden text,
that criticized the Emperor and told
the truth about his tyranny’s effects,
written by a monk, now dead, once bold.
Dyed pages made the flower blossoms glow
So in the future scholars might yet know.
Well I don’t usually paint the same subject multiple times but I thought there could be something to learn doing this – and I was preparing for a live demo. This was the first time for me really doing painting as performance art. It ended up being really fun! 😀
The first time I painted it, I realized I was too slow and that I really needed to speed it up to maintain interest …and there wouldn’t be enough time available. So I painted the second one almost twice as fast. The background in particular is much looser as a result in the second one. The third painting above is from the live demo. I did a few touch-ups when I got home but not much actually. Since I was talking and answering questions throughout, it did take some focus and time away from painting. However, I think I was able to show my method and the art group was very engaged and appreciative of the presentation. Happy Day! …and each painting has a cute little bee that is a bit different in each one.
Curious if you have a favourite painting!
Tom had something to say in poetic form about the process …and he is certainly right!
An artist cannot paint the same
picture over, once again,
for the scene has shifted, changed,
and she has moved along the chain
of time from link to golden link
while the sun down blue skies sinks
toward the far horizon lost
as by winds the flowers tossed
change their aspect and their guise
from bright to pale and pale to bright,
tame to wild and wild to right,
each walks with beauty in her eyes
for as she changes day by day
the flowers grow and turn and sway.
I painted this towards the end of summer. The image of these early blue spring flowers had stayed in the back of my mind for months and so I finally got around to painting them. Commonly called blue squill, they are most beautiful as a grouping …like stars scattered in the grass.
Tom’s haiku celebrates their (possible) origin.
fine flower of spring
dreams of far Siberia
beneath warmer suns
Everything at the market is so inspiring at this time of year! I deliberately chose the apples that still had some leaves attached – partly because then I can tell that the apples are really fresh …but mostly because I like to paint the leaves. The wooden bowl I put the apples in has an oval shape – the view is pretty much looking straight down. I painted this alla prima and had lots of fun playing with colour as usual.
Tom wrote a nostalgic feeling poem for this one.
Early mornings on the way to school
in crisp September under shifting skies
I’d pick an apple, hard and tart and cool:
a burst of flavour telling me no lies,
just flooding all my senses with its taste
and texture, scent, and colour, then the crack
of every bite in autumn silence. Haste
devoured it to the core. No looking back
upon a lonely childhood would be fair
without those moments pure and full, delight
in what the world might be, what’s waiting there
for anyone who reaches for a height.
Apples gave us knowledge, so it’s told
Apples gave me beauty, bright and bold.
I’ve been busy with various things but I’m still painting so here is a portrait of Tom. It was painted in a single session mostly based on a photo I had taken. We were out walking beside the ocean and then stopped for a pause to sit on a bench and enjoy the view. I am pretty pleased with how it turned out with more freedom in my colours and brushwork.
Since visiting and then moving to the west coast of Canada, I have had the opportunity to explore nature of kinds that are vastly different from what I grew up with in Ontario. One thing that is especially different and fascinating are tidal pools. Sometimes, a casual glance is rewarded with the view of colourful creatures but even if not, the longer you look, the more you see. Tiny fish, or crabs scuttling along – sometimes wearing someone else’s shell, barnacles using their little feet to kick food into their mouths and it goes on – I couldn’t make this up! Anyway, anemones are one of the more obvious and beautiful creatures to see.
Here is Tom’s playful poem!
An enemy of anemone is my friend
for what do lurking colours oft portend?
A fish ensnared within the lair
of tentacles: entrapped unto its end!
A reticent young innocent defends
the fish whose tail now flailingly extends
from the grip of poisoned nips
of tentacles: a saving hand descends!
A true ally I’ll be, shall I transcend
our different species? For I apprehend
a soul at risk, and so I whisk
off tentacles: the fish no more condemned!
Even though I put the dimensions on the images of the paintings, it is hard to tell on the screen the impact the size has on the art. This one is a bit larger than I have been working recently and so the cat is larger than life-sized. Feeling bold, I used my largest brushes and painted it alla prima in one 3 hour session. The cat is loosely painted but definitely a portrait of a specific cat and the background – an abstraction of the view out the window beyond – has a pleasing Klimt-esque quality. Sometimes, while painting there’s a feeling of ease and “rightness” – this one had that for me.
Another charming poem from Tom for this piece!
A cat upon the windowsill
all done with years of wandering,
at last a place to warmly chill
while contemplating, pondering
the biggest question of her day:
is it best to sit or lay
oneself upon a a window ledge,
or prowl around and haunt the edge
of every room where there might be
a scrap of kibble, or a slice
of bacon dropped by raiding mice
no cat seems ever quite to see?
The choice is hard, but now it’s made
and in the sunshine she is laid!
Well, it was time to try a self-portrait. There is a likeness and I had fun painting it so as an experiment, I am happy. Maybe I didn’t need to use every colour though – the background is extremely exuberant! 😀
Tom’s poem – written as usual on seeing the painting – surpassed it, turning out more beautiful than the painting. This is another poem that makes me want to follow up with a new painting!
A face to wake to in the morning
rising with the brimming dawn
where adventures are aborning
anywhere that light has shone.
Wryly watching all the beauty,
never shirking artist’s duty,
capturing the world’s strange ways
of being through the summer days.
She paints the beauty of the night,
nor to gaudy day denies
the magic of her loving eyes:
all the world, so clear and bright.
Those eyes that see me in the day
And in the night while firelight plays.