Flower of spring

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Flower of spring (11″ x 14″ oil on raised panel)

I painted this towards the end of summer. The image of these early blue spring flowers had stayed in the back of my mind for months and so I finally got around to painting them. Commonly called blue squill, they are most beautiful as a grouping …like stars scattered in the grass.

Tom’s haiku celebrates their (possible) origin.

fine flower of spring
dreams of far Siberia
beneath warmer suns

image (c) 2019 Hilary Farmer
poem (c) 2019 TJ Radcliffe

Market apples

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Market apples (8″ x 10″ oil on raised gessoed panel)

Everything at the market is so inspiring at this time of year! I deliberately chose the apples that still had some leaves attached – partly because then I can tell that the apples are really fresh …but mostly because I like to paint the leaves. The wooden bowl I put the apples in has an oval shape – the view is pretty much looking straight down. I painted this alla prima and had lots of fun playing with colour as usual.

Tom wrote a nostalgic feeling poem for this one.

Early mornings on the way to school
in crisp September under shifting skies
I’d pick an apple, hard and tart and cool:
a burst of flavour telling me no lies,
just flooding all my senses with its taste
and texture, scent, and colour, then the crack
of every bite in autumn silence. Haste
devoured it to the core. No looking back
upon a lonely childhood would be fair
without those moments pure and full, delight
in what the world might be, what’s waiting there
for anyone who reaches for a height.
Apples gave us knowledge, so it’s told
Apples gave me beauty, bright and bold.

image (c) 2019 Hilary Farmer
poem (c) 2019 TJ Radcliffe

Tom contemplates the horizon

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Tom contemplates the horizon (8″ x 10″ oil on raised gessoed panel)

I’ve been busy with various things but I’m still painting so here is a portrait of Tom. It was painted in a single session mostly based on a photo I had taken. We were out walking beside the ocean and then stopped for a pause to sit on a bench and enjoy the view. I am pretty pleased with how it turned out with more freedom in my colours and brushwork.

Tom’s poem …well, suits Tom! 😀

introverted
imaginative
iterative
idle
inspired
irascible
intense
indefatigable
inquiring
infinite
I

image (c) 2019 Hilary Farmer
poem (c) 2019 TJ Radcliffe

Tidal pool

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Tidal Pool (6″ x 6″ oil on raised panel)

Since visiting and then moving to the west coast of Canada, I have had the opportunity to explore nature of kinds that are vastly different from what I grew up with in Ontario. One thing that is especially different and fascinating are tidal pools. Sometimes, a casual glance is rewarded with the view of colourful creatures but even if not, the longer you look, the more you see. Tiny fish, or crabs scuttling along – sometimes wearing someone else’s shell, barnacles using their little feet to kick food into their mouths and it goes on – I couldn’t make this up! Anyway, anemones are one of the more obvious and beautiful creatures to see.

Here is Tom’s playful poem!

An enemy of anemone is my friend
for what do lurking colours oft portend?
A fish ensnared within the lair
of tentacles: entrapped unto its end!

A reticent young innocent defends
the fish whose tail now flailingly extends
from the grip of poisoned nips
of tentacles: a saving hand descends!

A true ally I’ll be, shall I transcend
our different species? For I apprehend
a soul at risk, and so I whisk
off tentacles: the fish no more condemned!

image (c) 2019 Hilary Farmer
poem (c) TJ Radcliffe

Ying in the Window

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Ying in the Window (11″ x 14″ oil on linen)

Even though I put the dimensions on the images of the paintings, it is hard to tell on the screen the impact the size has on the art. This one is a bit larger than I have been working recently and so the cat is larger than life-sized. Feeling bold, I used my largest brushes and painted it alla prima in one 3 hour session. The cat is loosely painted but definitely a portrait of a specific cat and the background – an abstraction of the view out the window beyond – has a pleasing Klimt-esque quality. Sometimes, while painting there’s a feeling of ease and “rightness” – this one had that for me.

Another charming poem from Tom for this piece!

A cat upon the windowsill
all done with years of wandering,
at last a place to warmly chill
while contemplating, pondering
the biggest question of her day:
is it best to sit or lay
oneself upon a a window ledge,
or prowl around and haunt the edge
of every room where there might be
a scrap of kibble, or a slice
of bacon dropped by raiding mice
no cat seems ever quite to see?
The choice is hard, but now it’s made
and in the sunshine she is laid!

image (c) 2019 Hilary Farmer
poem (c) 2019 TJ Radcliffe

Self-portrait

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Self-portrait (12″x12″ oil on gessoed panel)

Well, it was time to try a self-portrait. There is a likeness and I had fun painting it so as an experiment, I am happy. Maybe I didn’t need to use every colour though – the background is extremely exuberant! 😀

Tom’s poem – written as usual on seeing the painting – surpassed it, turning out more beautiful than the painting. This is another poem that makes me want to follow up with a new painting!

A face to wake to in the morning
rising with the brimming dawn
where adventures are aborning
anywhere that light has shone.
Wryly watching all the beauty,
never shirking artist’s duty,
capturing the world’s strange ways
of being through the summer days.
She paints the beauty of the night,
nor to gaudy day denies
the magic of her loving eyes:
all the world, so clear and bright.
Those eyes that see me in the day
And in the night while firelight plays.

image (c) 2019 Hilary Farmer
poem (c) 2019 TJ Radcliffe