Rose fantasia

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Rose fantasia (8″ x 8″ oil on raised panel)

This piece was straight from my imagination and pure play. I love these colours and the way the roses are starting to dissolve into the background.

Tom’s poem is as fantastical as the painting! It could be the seed of a wonderful story and yet it’s enough as it is.

“Why must we learn the art of flower making?”
asked the Acolyte. The Master smiled.
The Acolyte went on, “Are we not breaking
the Rule that time is wasted, minds beguiled,
by the frivolous? We reproduce
what Nature does much better. Why is that?”
“Because we find it is an art of use,”
the Master said. He laid a book down flat
and gently tore a page, forbidden text,
that criticized the Emperor and told
the truth about his tyranny’s effects,
written by a monk, now dead, once bold.
Dyed pages made the flower blossoms glow
So in the future scholars might yet know.

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

Pinks plus bee (3 times)

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Pinks plus bee – 1 (6″ x 6″ oil on raised gesso board)
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Pinks plus bee – 2 (6″ x 6″ oil on raised panel)
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Pinks plus bee – 3 (6″ x 6″ oil on raised panel)

Well I don’t usually paint the same subject multiple times but I thought there could be something to learn doing this – and I was preparing for a live demo. This was the first time for me really doing painting as performance art. It ended up being really fun! 😀

The first time I painted it, I realized I was too slow and that I really needed to speed it up to maintain interest …and there wouldn’t be enough time available. So I painted the second one almost twice as fast. The background in particular is much looser as a result in the second one. The third painting above is from the live demo. I did a few touch-ups when I got home but not much actually. Since I was talking and answering questions throughout, it did take some focus and time away from painting. However, I think I was able to show my method and the art group was very engaged and appreciative of the presentation. Happy Day! …and each painting has a cute little bee that is a bit different in each one.

Curious if you have a favourite painting!

Tom had something to say in poetic form about the process …and he is certainly right!

An artist cannot paint the same
picture over, once again,
for the scene has shifted, changed,
and she has moved along the chain
of time from link to golden link
while the sun down blue skies sinks
toward the far horizon lost
as by winds the flowers tossed
change their aspect and their guise
from bright to pale and pale to bright,
tame to wild and wild to right,
each walks with beauty in her eyes
for as she changes day by day
the flowers grow and turn and sway.

images (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

Winter bouquet

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Winter bouquet (16″x 20″ oil on canvas)

 

When I bought this bouquet, it had other colours of flowers in it as well, but I just felt like trying something more monochrome. Pretty pleased with how this turned out. Even though it’s quite a bit larger than I have been painting, I got the painting laid out and largely developed in one session and finished it up in another while the oil paint was still nice and moveable. So not quite alla prima but close.

Once again, Tom has found something profound to say about my painting – this time in haiku form.

bright white cut flowers
cut glass vase catches sunlight
mourners murmur grief

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

Tangled garden

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Tangled garden (11″ x 14″ oil on raised panel)

This chaotic tangle of flowers reminded me of a country garden run wild. There’s just a hint of a fence or a shed and I really like how the blooms dissolve into the sky.

A lovely whimsical poem from Tom for this one.

It’s not just anyone we wear
these bright summer colours for,
but only you, we truly swear,
who’ve come to see us by the door
of this old shack where once there lived
a hermit. He had much to give
but kept it all for only us:
he planted, tended, went to dust.
So now we’re all that still remains
in memory of one whose will
was loneliness and life fulfilled
by solitude and gentle rains.
So only those whose hearts surrender,
to this place may see our splendor.

image (c) 2019 Hilary Farmer
poem (c) 2019 TJ Radcliffe

Red blooms

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Red blooms (6″ x 6″ oil on raised panel)

An energetic explosion of colour! These rhododendrons were glowing and backlit in a photo I took last spring. The sun was even shining through the leaves so painting it seemed like a good antidote for the dull grey days of late fall. For this painting I added Cad red to my palette – it really pops.

Tom has written lots of poems for my flower paintings by now. It’s pretty amazing that he continues to see new things and have original ideas about them to work into poems!

The limbs of planets forming
around a birthing star
glowing in the morning
turning with the bar

of dust and gas and light
that keeps the stars in line:
dying, rising, slight
perturbations fine

against a background dark
with empty deathless night.

image (c) 2019 Hilary Farmer
poem (c) 2019 TJ Radcliffe

California poppies

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California poppies – study (9″ x 12″ oil on gessoed panel)

On a recent trip to Victoria on Vancouver Island, I saw some poppies growing in the dry grasses between the rocks near the ocean. These California poppies glow with a translucent orange and I immediately wanted to paint them – but since I didn’t have my equipment with me, I took a few pictures for inspiration when I got home. The above is my first take – very loose and fast. I like the exuberance of it but it wasn’t quite what I wanted so then I did a larger piece.

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California poppies (16″ x 20″ oil on canvas)

This was so much fun to paint. I really got into a flow with it.

Tom wrote a wonderful, mysterious poem for the second painting. What he sees and expresses about my work always amazes me but this one is especially mystical …I guess being both a poet and a quantum physicist affects how he sees the world!

tilting down the surreal axis
swirling ’round the complex plane
twisting through the field of praxis
choosing which is what again
while the fractal facets flicker
and the colours gripe and bicker
to achieve a balanced palette
pounding with a wooden mallet
all the powders and infusions
making dyes both true and fast
for this will be a work that lasts
conjuring such bold illusions
that the mind is turned about
what once was certain now is doubt

image (c) 2018 Hilary Farmer
poem (c) 2018 TJ Radcliffe

Bluebells

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Bluebells (8″ x 8″ oil on gessoed wood cradle)

This one was pure joy to create. I started with the idea of campanula – a flower also know as harebell and bluebell. They are so pretty and dainty. After a couple of sketches, I started applying the transparent layer of oil paints to my smooth gessoed surface. A pattern (similar to but not exactly like the sketches) evolved and continued evolving as I started applying opaque colour. I quite enjoy the way the pattern looks a bit like stained glass.

As usual, Tom has matched his words to the painting catching the mood perfectly!

Bluebells ringing in the sun
calling out now each to each
“Here is summer! Ain’t this fun!
Let’s go dancing on the beach!
Or rocking in this open field
where the music is concealed
within the sound of birds and bees
chirping, buzzing, through the trees
while we toss our joyous heads
and passing breezes ripple through.
Come let’s dance, just me and you!
All your cares and fears be shed!”
For though they are firm-fixed in place
Their dance is full of joy and grace.

image (c) 2018 Hilary Farmer
poem (c) 2018 TJ Radcliffe