This painting started life as an abstract and some elements of that are still here. However, the piece really started to develop after a visit to a friend’s beautiful garden back towards the end of August. That’s when floral elements started to show themselves. I went back and forth on this one for about a month building up layers and thinking about it before I finally decided it was finished. The title comes from the anenomes that are on the right side which are sometimes called “windflower” and as well, the feeling of a breeze drifting through the petals of all the sunlit flowers.
Here is Tom’s lovely haiku which captures the scene so succinctly.
dawn over garden summer world in soft dissolve through the morning mist
Having bought some sunflowers at the market back at the end of August, I had to paint them of course. I decided to use extra thick and juicy brushstrokes a la Van Gogh. Sunflowers just seem to want that approach.
Tom wrote a haiku that gets to the heart of the painting in so few words.
transient fires burn triumvirate of blossoms brighten summer days
I have been playing with more abstract (and abstract adjacent) painting this year. This one was built up over many layers ending up somewhere between impressionism and abstraction. At some point in the process, the moon appeared in the sky and stayed. The feeling was quite dreamy and more subtle than this photo shows but I can’t get another because it sold quickly.
Tom wrote a delightful sonnet with a rhythm of anapestic tetrameter (like Dr. Seuss) which really suits the mood of the painting.
The farmer’s abed and the Moon is reborn so we’ll dance and we’ll sing from the eve until morn when we’ll lie down exhausted and sleep through the day. In the shadows of grasses and flowers we will lay until the soft darkness ensilvered by stars creeps out of the gloaming and brings us awake to drink from the dew by the light of bright Mars and sip the sweet nectar of flowers ’til we slake our thirst and our hunger. Our bodies adorned with trews made of petals, so silken and gay we’ll jig to a hornpipe like England’s old tars who served that old pirate, Sir Francis the Drake. For we are the Fairest of Folk in this land obeying no law but the bright Moon’s command.
This painting was built up in many layers working daily over about two weeks. It looks nothing like its early iterations transforming quite radically from what I thought I was painting at first. The title comes from the subtle figure in the middle of the painting which I didn’t even see until I had decided the painting was finished. I have never painted anything like this before – it was fascinating to see it emerge.
Tom wrote a poem for this piece that transcends and enriches the painting. Thank you.
I am the whisper that you do not hear
I am a ripple through the summer leaves
Too close to see because I’m standing near
Too far to touch my simple floral sleeve
Now come with me upon a journey outward
Now come with me to where you’ve never been
Soft breezes quiver as you look to windward
Soft breezes waft a scent that is not seen
I’m all around you walking on the surface
I’m all there is and all there’ll ever be
There is no way to show you my true purpose
There is no way for you to not be free
I am the voice of thunder and of flame
I am the sacred utterance of my name
Tom says references for this poem include: a gnostic poem called “Thunder, Perfect Mind”, “The Waste Land” (what the thunder said, o you who look to windward…), and Dickens’ “A Christmas Carol”, image of touching the sleeve of a ghost to go on a journey.
I have been playing more with acrylics lately than I have for a long time. Feeling experimental! This peonies in a vase composition was painted from my imagination using lots of layering, mark-making and impasto – another piece that felt very freeing.
Tom’s haiku is a perfect accompaniment!
cut blossom glass vase
petals falling in the sun
lazy summer morn
This started as some quick gestures in acrylic paint but was layered over – with many layers of oil paint – into …well, I followed where the painting wanted to go – a fascinating process. It can take me much, much longer to paint an abstract piece than something more realistic even though the individual brushstrokes can be bold and decisive.
Here is Tom’s poem which brings more thoughts and depths to what is seen here.
the curve of time is spiraling
toward a conscious centre
cutting holes where angels bring
our souls that they may enter
this world of finite time and space
where one thing after next
proceeds with soft diurnal pace
to make such strange effects
as flowers that are first a seed
then afterward a bud
until they blossom, finally freed
then fade in autumn’s flood
as seasons pass through space while time
gives views from all the angles
and our souls have heard the chimes
and given up their tangles
I painted this one about a month ago from photos I took (not this year) of a large rhododendron garden in a nearby park. I say nearby, but it would have still required a ferry ride to visit this park and we haven’t been off our small island since the shutdown started almost three months ago.
Tom just wrote an amazing poem this weekend that speaks to the times we live in as much as this painting. I feel profoundly grateful to have inspired it with my art.
storm clouds rising somewhere up ahead
blossoms tossing shadowed on the wind
skies are changing blue is running red
searching for forgiveness for our sins
in the darkness under forest cover
eyes that hide from hunters passing by
we hold these truths
clutched to us like our mother
we tell these stories hoping they're a lie
raindrops splashing fat upon the flowers
shaking leaves and dampening the ground
summer's waking thunder tolls the hour
what never has been lost cannot be found
young buds open now their time has come
senescent giants falling free the sun
This larger tulip painting doesn’t look much like the study posted previously but I think they each have different things going for them. I especially enjoy the undulating leaves in the foreground in this one.
Here is Tom’s haiku written for this painting. As he said – “Small poem for a large painting! They seem innocent and open, but the wood behind…”
pink, red, open, closed…
tulip blossoms greet spring sun
keeping no secrets