What can I say? It’s fall and so it’s time to be inspired by all the fruit that is ripe and delicious right now. Pears have such a beautiful form and playing with colour within that shape was a pleasure.
I love how Tom’s poem combines all the senses in curious ways – just right to celebrate the overwhelming sensory input of the season. (The painting’s title is taken from the poem.)
Flagrant tapestry of light
disposed upon a simple plate
gives great pleasure to the sight
beguiling those who stand and wait
for just a taste of beauty’s touch
or perfume’s lovely sound. So much
is taken, still yet more abides,
and to us now on art’s spring tides
come simple feasts for senses all
served up with synethetic flair that melds the mind with plate and pairs
sweet voice with the scents of fall:
a smorgasbord of pure delight to lift our fancy in its flight.
(Tom says: Note Tennyson reference in “much is taken, much abides”.)
I wanted to explore patterns in a way inspired by William Morris. Lemons with their shapely yellow fruit, graceful leaves and pretty blossoms were a perfect subject to play with. It was a pleasure to spend an afternoon creating this piece.
Tom’s poem puts the piece into a larger context.
Deep falls the sky behind the lemon trees
that grow beneath a blue which England knows
only through the hint of summer breeze
and ships that carry treasure in their holds:
fine fruits from distant lands where tropic suns
beat upon the backs of all who toil
in field and orchard, where the Empire runs
amok amidst the beauty and the spoil.
In fecund seasons endless bounty waits
for those who do not scruple at the cost
of houses overseeing fine estates
where none wander and yet all are lost.
Yet too this England grows a different kind
who will tend her gardens in our time.
More apples. This time there was more space to breathe around the subject and the footed bowl and background became an important part of the composition. The colours and pattern of the background looked good in my minds eye and were a pleasure to paint. The piece came together really smoothly.
Tom’s poem approaches the subject from another viewpoint compared to the previous apple poem …another kind of knowledge. Once again it seems just right for the painting!
Upon a pedestal ensconced
above a blue tabula rasa
just waiting for some renaissance
artiste, who from forbidden Lhasa,
high in Himalayan climes,
has walked the paths and learned the rhymes
of gurus old and lamas young
until she knows what’s wrought or wrung
from patterns cast upon the wall
of Plato’s cave are hardly all
that we can know when truth is sung:
for the artist sees the deep
where hidden knowledge lurks and leaps.
Maybe not the very last of the season but with just a few in the box, it seemed like a good title. Juicy and sweet, they have to be eaten carefully …or with abandon, letting the juice run down your chin and arms!
The glowing purple-red of the plums contrasts with the dull green cardboard box.
More of the season’s bounty – delicious “prune plums”. Ever since I learned that prune is the French for plum, this name has seemed curiously redundant. 🙂 I believe these are the type of plums that are dried into prunes hence the logic of the name in English but they were delicious fresh!
As usual, this was painted alla prima (in one quick session). The background green-ish yellow colour was chosen as complimentary to the plums.
Find joy in the simple things and may the day bring you contentment!
Third in the series with Bartlett pears this time – a lovely green with subtle warm tones hinting towards red and yellow. The ribbed blue bowl added a fun counterpoint to the organic pear forms. The background contains the complimentary colours of the subject. This 6″x 6″ oil on gessoed board was painted alla prima and as with all three “pair of pears”, painted entirely with a #10 flat brush.
May the simple things in life bring you joy and contentment!
Continuing the autumnal harvest theme with more pears – this time red Anjou pears. Such a gorgeous colour! The painting came together with the complementary green(ish) colour of the background and some hints of green in the pears.
Once again, alla prima fun – oil paint on 6″ x 6″ gessoed board.