Another plein air piece from July. There is a wonderful park along the ocean that I hope to paint many more times. The mood of the sky and water is different every time. This day, the tide was somewhat low showing shallow rocks extending out from shore. A leaning tree, some wave action and a calm sky complete the scene.
Tom wrote another haiku for this one encapsulating in words my memory of painting that afternoon.
somewhere to the south beyond warm summer mists passage to the sea
We went for a walk on New Year’s Day in a park by the ocean. There were a number of others out taking advantage of the pleasant day on a holiday as well with lots of shared smiles and well-wishes for the New Year.
This was a bit of an experiment. I knew that I wanted to paint the scene and took several photos but I wasn’t sure if any were quite right. Half way through painting it, I thought – that’s not working! The composition had looked interesting in a small photo but in the painting instead of drawing me in, I was just aware of the vast expanse of boring foreground. Adding more detail and texture to the grass, rocks and logs seems to have been enough to solve that problem and I like it now. Having some small figures in the scene gives a sense of scale and reminds me of traditional Chinese landscape paintings where there is almost always a figure going about their life in the distance.
Tom’s poem expresses how well he knows the coasts and seasons here.
These are the crooked roads we walk
wet, muddy, by the shore
where trees are bent by slow incessant summer winds
and empty winter gales.
Their cousins lie in serried ranks
along the rocky shore
tossed by tides and angry waves from distant isles
come to rest at last.
We walk on in silence strong
secure upon this shore
while beneath the winter scudding clouds the sea
lies calm in patient peace.