painting – ‘the voyage” final version…

the voyage
the voyage

So here is the finished painting! (although next week when I see it, I may want to make some small touch ups…) In any case, I am quite pleased at this point.
It has been an interesting process from developing the idea and thumbnail vignettes, to refining the painting – more patiently than I usually do! – under the guidance of the teacher. I am hoping I can take the many pointers and see my work better as I go along on my own.

UPDATE: New sonnet from Tom written to accompany this painting!

A labyrinth of waterways awaits
beyond the narrow passage to the sound:
islands, bays and harbours, open straits
that lead without a clew to truths profound.
She lets the painter go and takes an oar
pulling with the river’s ebbing tide
toward the dawn’s bright welcome, leaving shore
where her past will ever-more abide.
Her future beckons over wine-dark seas,
reflecting skies so full of cloud and light,
where she’ll drink her life down to the lees
embracing every moment, dull or bright.
Clotho’s thread is cut, her fate’s her own,
though she be tempest-tost or typhoon-blown.

poem (c) 2013 TJ Radcliffe
painting (cc) 2013 Hilary Farmer

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further development of a painting…

the voyage - final detail sketch
the voyage – final detail sketch

This week I prepared my 18×24″ canvas with a variety of colours all in the mid tones in terms of darkness. I also sketched the position and clothing for the figure in the painting. The final result was refined during class today while producing this sketch to be used to transfer the most detailed part of the painting onto the canvas. For this I simply traced the sketch onto tracing paper, put graphite from my handy 6B pencil on the back and then transferred onto my canvas. It was still hard to see, so I followed up by applying some acrylic paint (raw umber) to follow the outline.

the voyage - outline added to colour-washed background
the voyage – outline added to colour-washed background

At this point some more adjustments were made with the teacher’s advice. The balance and composition were improved until we were both satisfied.

the voyage - tonal wash added
the voyage – tonal wash added

There was only enough time left to add some tone to the painting – also in a wash of raw umber acrylic paint. Since the light source will be from the far side of the hills, just adding the wash starts to give that feeling, starting to create ambiance and give an idea of the shape of the final painting. Even though this painting will be completed using oil paint, doing the painting to this point using acrylic was helpful as the detail won’t be smudged away when the oil paint is added next week.

Last time I posted poems that Tom had sent me for this work – here is another one, a haiku:

Clotho’s tangled thread
trails across the pier at dawn
she casts herself free

images (cc) 2013 Hilary Farmer
poetry (c) 2013 TJ Radcliffe