This abstract exploration ended up with some artifacts from fairly early in the layering process that didn’t want to be covered up – flowers, a hummingbird and maybe the moon. This is definitely a case where the original is hard to capture in a photograph. When I paint this way, the textures and layers are quite challenging for me to show on line.
In my mind this one is reaching for “Monet meets Chagall”. 🙂
Tom wrote a really lovely poem that speaks to this painting beautifully.
coalescing currents curl from out of deeper darkness flowing down to pools that swirl with stillness beneath starless skies where hope abides and wing’d shapes may one day fly through the chaos life will strive to reach afar across this world where coalescing currents curl
Playing with twisting branch shapes and spring blooms, this was done from my imagination. It is a very freeing way to work! …And a bee because then you can smell the apple blossoms and hear the hummmm of activity when looking at the painting.
Here is Tom’s delightful haiku for this piece.
crooked branches trace stark shapes across winter sky where bees buzz in spring
This piece was straight from my imagination and pure play. I love these colours and the way the roses are starting to dissolve into the background.
Tom’s poem is as fantastical as the painting! It could be the seed of a wonderful story and yet it’s enough as it is.
“Why must we learn the art of flower making?”
asked the Acolyte. The Master smiled.
The Acolyte went on, “Are we not breaking
the Rule that time is wasted, minds beguiled,
by the frivolous? We reproduce
what Nature does much better. Why is that?”
“Because we find it is an art of use,”
the Master said. He laid a book down flat
and gently tore a page, forbidden text,
that criticized the Emperor and told
the truth about his tyranny’s effects,
written by a monk, now dead, once bold.
Dyed pages made the flower blossoms glow
So in the future scholars might yet know.
Well for me this was one of those moments – I saw the shape of the board and a vision formed in my mind of what to paint …and I painted it. There was some evolution as I painted but this is pretty much per my original vision. Happy! She is called Sophia because the name means wisdom.
Without discussing what the painting meant to me with Tom, he came up with a poem that says in words what I hoped to express in paint. To be honest, we never do discuss the paintings before he writes the poetry – sometimes I am amazed and surprised by what he sees, and sometimes like this time, there is a remarkably singular vision.
The Lady of the Lake has seen
the colours of the western sky
where the future’s past has been
as swallows dance and nightjars fly
between the sunset and the dawn
as the silent stars are drawn
so slowly up the vault of heaven
where the will of man is leavened
with the love of woman, strong
whose waits with patience, fortitude,
and just a little attitude,
for time’s result, so ever long.
She knows all things will one day be
in futures bright we cannot see.