Twin Beaches – High Summer

This is a plein air painting from August. The sun was high and warm reflecting back all kinds of glorious colours in the water. I captured a couple of sailboats at anchor as well as a few floating markers. The mountains of the mainland are in the distance. I have a lovely memory of the day when I look at this.

Tom wrote a thoughtful poem that speaks of times long gone the results of which still impact us today.

Upon a time a Spaniard passed this way
anchoring and sending out a brace of boats to sound
the waters all around the quiet bay
where otter, seals, and cod could still be found.
The shore was all alive with other eyes
that watched the strange great ships and wondered where
they had first tasted of sea. What skies
had witnessed their emergence from their lair?
Dark ravens cocked and turned upon the wind
Dark rhymes were brewing in the human heart
Dark beneath the summer sky the sins
of darkness drove the worlds apart.
The ships sailed on, left chaos in their wake
and broken words that promises forsake.

Tranquil landscape

This one was painted back in May but somehow got missed in the poetry queue. This one was painted completely from my imagination. I think it has the flavour of Ontario’s back country lake districts drawing more on childhood memory than my current west coast rain forest setting.

Tom’s poem also echos that place and other times…

There is a fire that burns where sunset touches
this land of lake and tree and summer heat:
a fire that flickers, scrabbles, grasps, and clutches
at the edge where Earth and sunlight meet.
No forests turn to smoke and ash, it burns
in abstract spaces, glowing on a land
that scatters it across the trees and ferns,
the swamps and lakes, the sky in clouded bands.
The light is caught and coloured by the lake
then thrown up to the sky and back again
to limn the trees and from the forest take
a ghost of places gone, of times unkenned.
There is a fire that burns and does not die
Now in the distance hear the loon’s soft cry

Lingering evening

Wow – what a long beautiful summer evening that was! I painted this en plein air from the deck of our sailboat just a couple of days off the solstice. I thought I would get some wonderful sunset colours but I would have had to wait longer than I felt like. Anyway, the subtle tones are lovely too, I think.

Tom wrote a haiku with an appropriately Zen feeling for this one!

ten thousand years hence
this long summer evening light
will still be here now

From Bell’s Landing

20200616-Bells-landing-view — From Bell’s Landing (10″ x 8″ oil on raised panel)

This was painted plein air and alla prima. I took my gear to a local park and carried it down to the beach, setting up looking across the shallows towards Entrance Island with its lighthouse, and the mainland mountains beyond. The sky was also cooperating with some lovely mauve and creamy clouds. So beautiful here… Happy to say someone who saw me painting it while walking their dog bought this piece!

Tom wrote a poem that goes with this painting but also speaks deeply to the feeling of living here, I think.

There is a place where light and water touch
Where distance is illusion and the truth
Swirls the summer clouds.

There is a place where one might hear a note
From orchestras not strictly of this Earth
Echo off the rocks.

There is a place where time itself is still
and waves reflect the motion of the wind
as silent eagles soar.

The view from here

The world has changed a lot in a few short weeks …weeks that have felt very, very long. I want to continue posting images that reflect joy and beauty as I see it, but there are obvious challenges given the situation.

After the lockdown started where we are, it took a week or so for me to get into a headspace where I could start painting again. What came out was not a specific view, but reflected both the landscape here and my feeling of how surreal the unchanged local beauty seems in this context as well as the feeling of connectedness within separation of this time. This painting was not an alla prima piece. I kept coming back over several days layering paint until I achieved something close to the vision I had.

Tom as usual responded to the painting with a deeply beautiful poem.

Trees at Twilight

Behind the trees a secret lies
that whispers on the evening light
that speaks of other times and skies
before the day becomes the night…
as brightness falls the air is still
behind the forest, where the will
of Nature rules the tides and time
to make of this a place sublime
where the truth that can’t be spoken
drifts across the twilight sea
dipping deep to set us free
of all our yesterdays unbroken.
These silent sentinels behold
more beauty than is known or told.

Winter ditch

Maybe it comes from my days working in architecture, but I enjoy looking at things in “plan view” (straight down). And recently, the beauty of the minutia we usually ignore right at our feet is drawing me in. There is so much life and colour there, once I stop to really look. The summers here get quite warm and very dry so I’m enjoying the rain and wet …well most of the time!

Here’s Tom’s haiku to go with this painting. 🙂

living rill feeds green
ripe grasses catching sunlight
ditch runs with spring rain

One fine day

It was a very fine West coast winter day – quite mild and with sunshine! Our walk took us through the woods and out the other side towards farmland and pasture. This view is looking back towards the path to the woods. I like the feeling of this painting. It captures the cool winter sun and the mystery of the path.

Tom’s poem may mean more if you’ve read Italo Calvino’s “If on a Winter’s Night a Traveller” – however, it stands quite well alone. The image of my painting led Tom down a quite different path in his poem. I like it!

If On a Winter’s Day a Traveller

You are reading “If On a Winter’s Day a Traveller”,
perhaps online, or on your phone,
during your commute. The train, the bus,
the streetcar is quite crowded,
jostling and rattling around
as you get your head into the poem.

What lies ahead? The curve of road or track
leads on to darkness, mystery, confused
deep tunnels, full of dusty lights,
or intersections where the traffic snarls
into a knot. There’s no way out
but forward, so you go,
in time.

The screen is dark, you’ve been distracted,
and now the poem is done.

Pony in a field

I was out walking with Tom recently. We had done a loop through the forest and had come out back along the road to get to the car. The sun was sloping low over the horizon and touched this adorable pony with a magical light. Naturally, I had to try to capture the scene.

Tom wrote a light-hearted poem that suits the mood and day just right. Check out more of Tom’s poems on Hello Poetry!

Sufficient Unto the Hay

Behold the ponies in the field
who neither sow, nor do they reap:
they run with unabated zeal
from dawn until they pause to sleep.
They do not worry, fuss, nor fret
that with a hand or two they’d yet
become a horse, majestic steed,
a noble beast of strength and speed
that all admire. A pony’s satisfied
with sun for warmth and grass to eat,
a stable’s shelter when the sleet
of winter falls, and one to ride
them round the ring, through woods,
to dappled meadows, fine and good.

Winter sun

It doesn’t quite look that wintery here yet since there isn’t any snow on the ground. But I was in the mood to paint snow so I found a photo I took last year where the snow was bending the ferns along the path and a low winter sun shone through the trees.

Tom’s poem for this one perfectly brings back that moment while clearly referencing Robert Frost’s “Stopping by Woods on a Snowy Evening“.

Crooked branches, beams of light
scatter through the cold wet air
as fleeting day yields to the night:
sun slipping back to winter’s lair.
The slushy snow beneath my boots…
they mire in mud, they skid on roots,
as cold seeps in beneath my coat
while the daylight dims, a mote
of yellow, distant, glimmering light
is all that’s left of this short day
while long before me lies the way
with miles to go before the night
has gripped the forest, cold and deep,
so I walk on, and do not sleep.

From Brickyard Beach

Here’s a quick piece from a recent walk. No matter the weather (it was a grey overcast day) it is still beautiful here …and every day is different – the light, the water …everything. I limited my palette a bit more than usual by removing all my shades of reds.

Tom wrote a lovely poem that is a (happier) riff on “Dover Beach” by Matthew Arnold.

The sea is calm today:
beneath the surface silent currents sweep
through narrows, over reefs
far down into the darkling deeps
while high above the sky keeps faith
with us. We walk the shore
in beauty as the light
of Winter Solstice softly peeps
through the crowded clouds that paint the sky.

There is no sadness here
no ignorance of all
the love, the joy, the hope that rules the world.
No leaden certainties constrain this life
to pain or darkness
though even now poor distant armies fight
beneath this sky, far off across the sea.

Stand by me now, my love,
on this cold day when light is short
for life is long
and in the Ocean’s silence is the song.

Green Tea Doodles

take some time for tea and check out my doodles

landscape