Distant land

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Distant land (oil on 16″ x 20″ stretched canvas)

Things have been very busy lately – in the best possible way. I had an open studio as part of the Gabriola Island (Canadian) Thanksgiving  Studio Tour. So many lovely people came and several bought pieces. After working away on my own for about two years, it was wonderful to have such a positive experience when I let “outsiders” in to see my work!

The style in this painting evolved into something quite like some of the impressionists as I searched for a way to create a shimmer of light on the water. This is not any particular view but it’s very rooted here in the Gulf Islands of the West Coast – the mossy foreground, the light coming through the evergreens and distant mountains reminding us that there’s another world out there.

I love Tom’s poem for this one!

Shadows beckon, light awaits
around the distant point of land
where the evening gently scrapes
against the rocks where cedars stand
upon these timeless island shores
where in winter gale-winds roar
tearing at the ancient trees
that still stand tall in summer breeze
as the evening, warm and long,
breathes in life’s diversity:
mosses, flowers, trees, the sea
that sings the oldest of the songs.
Far beyond these coves and bays
The Ocean sings of elder days.

image (c) 2019 Hilary Farmer
poem (c) 2019 TJ Radcliffe

Evening crossing …oil painting

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Evening crossing (12″ x 12″)

Based on a view from the ferry between Vancouver and Victoria. At that time in the evening, the islands you pass look dark and mysterious. The strait was smooth, reflecting the dying light as it leaked through the clouds …a moment of transition in space and time.

Tom’s extremely quirky poem …well just read it!

The sea lies calm between the rocky shores
capturing the sun’s last golden rays:
bright Day is ending, “Leave them wanting more”
she whispers as she slips away, off stage
to take off makeup, rest and smoke a fag,
while gossiping with Dawn and watching Dusk
who entertains the punters in her rags
of scattered cloud and twilight ’til she’s thrust
into the wings by Night’s commanding step
onto the boards, her retinue of stars
all keeping time until the moon has crept
up through the trap to shine, so high and far.
Day stubs her smoke and goes off to her bed
To dream of Dawn and inhibitions shed.

image (c) 2018 Hilary Farmer
poem (c) 2018 TJ Radcliffe

The look of my blog will be changing soon! I am updating it in preparation for coordinating with my NEW WEBSITE! I am super excited that it’s almost ready to launch. There will be a post soon with a link.

afterglow …oil painting

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Afterglow (9″x12″)

I really loved how the quality of light and the grandeur of the sky came across with this one. This is a view of English Bay from around Kitsilano Beach. I took some liberties with the colours enhancing them to give the feeling of that glorious sky.

Tom’s poem paints the scene with words.

as above, so too below
waters burnished by the glow
of golden sunset falling down
wreathing islands with a crown
of cloud and light as evening falls
while some distant seagull calls
across the waters calm and deep
where the day in silence sleeps

image (c) 2018 Hilary Farmer
poem (c) 2018 TJ Radcliffe

summer memory …oil painting

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summer memory (9×12)

While “enjoying” the cold and dark and damp, something that keeps me going is the memory of long summer days …and especially those spent on the water. What a peaceful joy that can be!

I think Tom agrees!

safe within the bay’s deep arms
sheltered from the storms and harms
of weather wild and rough deep seas
crashing somewhere to the lee
against the shores of distant isles
separated by the miles
of empty ocean, scudding wastes
far from here, this sheltered place
where there’s time for pause and rest
until again the sea’s behest
beckons us to raise our sails
and ride the waves in summer gales

image (c) 2018 Hilary Farmer
poem (c) 2018 TJ Radcliffe

winter light …oil painting

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Winter Light (8″ x 10″)

Another painting from a walk in Stanley Park in later December. The low slanting sun lit up some branches and tree trunks with a bright luminous glow – one of those sights that stays with you. Like the last painting, this one was painted alla prima. I think when the painting is being completed in one session, I put fewer expectations of perfection on myself and the result is freer and more full of life.

Tom was inspired to write a playful poem for the imagined wildlife of this scene.

Burnished branches standing in the dark
of taller trees, so jealous of the light
that warms the winter chill from broken bark,
reminding passers-by of summer’s bright
seductive evenings. Once not long ago
beneath spring skies two squirrels ran about
chittering while running to and fro
each ignoring all the other’s shouts
of joy and anger, frustration and love
until their dance completed in a tangle
in the branches far and high above
wherefrom a tail might be loosely dangled.
Now in the winter’s chill they’re safe and warm
Curled and sleeping far from winter storms.

image (c) 2018 Hilary Farmer
poem (c) 2018 TJ Radcliffe

 

Looking up through trees – 8 …oil painting

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Looking up through trees – 8

The under-painting for this one is cad orange and some cad yellow medium. Unlike some of the others of the series, there is no single large tree, but a characteristic texture of foliage, branches and light. I played with a variety of colours for the sky peeking through – blues, mauves, turquoises… That and the bits of under-painting that remain, give a nice vibrancy.

This is the second last of the series! The next post will include the centre piece and all nine 6″x 6″ paintings put together. 🙂

Here is Tom’s haiku written just for this piece – I don’t see any squirrels but I sure can imagine them!

searching bursts of green
ruffled breezes passing by
shaking squirrels on high

image (c) 2017 Hilary Farmer
poem (c) 2017 TJ Radcliffe