I guess I’ve had spirals on my mind lately and this is how they expressed themselves this time! The tulips are the feathery double-petaled type and so look like pink and yellow roses.
Tom wrote this gorgeous poem. I guess he saw roses too!
Beneath the bending swirls of sky
the roses blouse in bending breeze
while the universe goes by
in a silent twirling frieze
of galaxies linked by the tides
of gravity while Earth abides
alone in all the cosmic splendor
and yet unwilling to surrender
to the cold equations of
the empty sky and sterile stars
that twinkle brightly from afar
knowing neither loss nor love.
Beneath the stars in careless flight
Flowers grow against the night
This abstracted floral was inspired by a photo I took on a recent visit to Victoria. What amazing gardens they have at this time of year! …well from now until September really. Great gardening climate. As you can likely tell by looking at it, I took a lot of liberties painting very loosely and feeling free with it. An impression of something can feel even more real than a photograph in some ways and that’s what I am working on achieving.
Tom has written a sonnet for this one that gives more scope for thought!
This riotous intensity of life
this flowing force of beauty growing tall
this moment of reality, a slice
of time: this Garden does not fail or fall
but bursts forthright upon the worldly stage
to teach the innocent, unlearn the sage
arrest a glance and free the troubled mind
overwhelm the proud, reward the kind.
This Garden waits for all who wander lost
across the empty spaces, forests, fields,
searching for the treasure that time yields
although their lives be rough and tempest tost.
Not somewhere after death is our reward
but here and now in beauty’s soft accord.
I originally bought the tulips in March 2010. I was thinking at that time that if I left the canvas white where the tulips would be, that they would glow better and the yellow would be truer.
When I decided to actually develop this painting last weekend, I decided that I would be able to have a looser approach if the whole background was filled in and I wouldn’t have to worry about white canvas peaking through where I didn’t want it to.
Then I needed to actually start painting the tulips. Fortunately I had taken photos of the original tulips to work from. It developed quite quickly but didn’t yet have the contrast I wanted.
At this point I darkened up some areas and added some highlights to increase contrast. (Unfortunately, the photo doesn’t show this very clearly)
Here I laid in some thick layers of paint to given some texture on the petals and leaves and finally the signature!
A detail to show the texture. Since I have been finding it a bit of a challenge to stay loose when working on canvas (as opposed to paper) I am reasonably pleased with the results.