Drumbeg at New Years

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Drumbeg at New Years (16″ x 20″ oil on canvas)

We went for a walk on New Year’s Day in a park by the ocean. There were a number of others out taking advantage of the pleasant day on a holiday as well with lots of shared smiles and well-wishes for the New Year.

This was a bit of an experiment. I knew that I wanted to paint the scene and took several photos but I wasn’t sure if any were quite right. Half way through painting it, I thought – that’s not working! The composition had looked interesting in a small photo but in the painting instead of drawing me in, I was just aware of the vast expanse of boring foreground. Adding more detail and texture to the grass, rocks and logs seems to have been enough to solve that problem and I like it now. Having some small figures in the scene gives a sense of scale and reminds me of traditional Chinese landscape paintings where there is almost always a figure going about their life in the distance.

Tom’s poem expresses how well he knows the coasts and seasons here.

These are the crooked roads we walk
wet, muddy, by the shore
where trees are bent by slow incessant summer winds
and empty winter gales.

Their cousins lie in serried ranks
along the rocky shore
tossed by tides and angry waves from distant isles
come to rest at last.

We walk on in silence strong
secure upon this shore
while beneath the winter scudding clouds the sea
lies calm in patient peace.

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

Evening sky

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Evening sky (8″ x 8″ oil on raised panel)

Another painting inspired by this past summer’s trip to Desolation Sound, a beautiful place of infinite variety.

Tom’s poem celebrates the the place, the wildlife and the light …and the experience of being there. (Note that “nightjar” is another name for a nighthawk, an insectivore that darts about in the late evening catching its dinner.)

Clouds that wander high and bright
above the forest of the night
where nightjars nest and eagles fly
beneath the ever-changing sky

over waters cold and deep
where octopi and fishes sleep
and dolphins dance while whales progress
as summer breezes soft caress

the trees and islands, rocks and sea,
where in the cove we are set free
from common care and daily grind,
easing soul and freeing mind

to wander wide and ever bright
beyond the forest of the night
where nightjars nest and eagles fly
beneath the changeless evening sky.

image (c) 2019 Hilary Farmer
poem (c0 2019 TJ Radcliffe

Distant land

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Distant land (oil on 16″ x 20″ stretched canvas)

Things have been very busy lately – in the best possible way. I had an open studio as part of the Gabriola Island (Canadian) Thanksgiving  Studio Tour. So many lovely people came and several bought pieces. After working away on my own for about two years, it was wonderful to have such a positive experience when I let “outsiders” in to see my work!

The style in this painting evolved into something quite like some of the impressionists as I searched for a way to create a shimmer of light on the water. This is not any particular view but it’s very rooted here in the Gulf Islands of the West Coast – the mossy foreground, the light coming through the evergreens and distant mountains reminding us that there’s another world out there.

I love Tom’s poem for this one!

Shadows beckon, light awaits
around the distant point of land
where the evening gently scrapes
against the rocks where cedars stand
upon these timeless island shores
where in winter gale-winds roar
tearing at the ancient trees
that still stand tall in summer breeze
as the evening, warm and long,
breathes in life’s diversity:
mosses, flowers, trees, the sea
that sings the oldest of the songs.
Far beyond these coves and bays
The Ocean sings of elder days.

image (c) 2019 Hilary Farmer
poem (c) 2019 TJ Radcliffe

Looking Back

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Looking Back (6″ x 8″ oil on gessoed wood)

An exploration of the ocean and mountains at Desolation Sound. I mentioned in a previous post about the amazing beauty there and I will no doubt continue trying to capture it. So far, I feel Tom’s lovely poem is much more evocative of this magical place.

There are no mountains, nor a sea,
nor any forests, green and deep,
but these that beckon, calling me
to pause within their sheltered keep
like a knight on olden fields
who wanders, fighting, never yields,
but battered on he travels still
seeking peace beside a rill
or stream where might a hart bound by
leaving stillness in its wake,
where the knight may bend and slake
his thirst for beauty where the sky
glows in beauty over trees
below the mountains, by the sea.

image (c) 2019 Hilary Farmer
poem (c) 2019 TJ Radcliffe

 

 

Cliffs and trees

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Cliffs and trees – 1 (4″ x 6″ watercolour postcard)

We took a trip up the coast of British Columbia this summer to a place of great beauty called Desolation Sound. Keeping in mind how many extraordinary places there are around, this was still almost unbelievable.

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Cliffs and trees – 2 (4″ x 6″ watercolour postcard)

These two little watercolours were the only paintings I did on site. I don’t know – maybe I was too busy soaking it all in but I am glad I at least I did these sketches. They do give the feeling of the sunlight and the scale of the cliffs and trees around the clove where we moored our sailboat. (Yes, I feel very lucky.)

I am sure there will be more paintings coming from memories of this trip.

As Tom’s poem so wonderfully evokes, we shared this place with many other creatures.

Stepping stones of giants climb
long pathways to the summer sky
where slow vultures dream in time
as eagles pass kingfishers by
before they circle down to land
in treetops reaching high, they stand
above the surface of the bay
where the sunlight dances, plays
with breezes blowing from the Sound.
Water ripples, calms again,
in warming depths the fishes claim
no better place was ever found.
I drift upon the waters, free
of care beneath the cliffs and trees.

images (c) 2019 Hilary Farmer
poem (c) 2019 TJ Radcliffe

Evening crossing …oil painting

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Evening crossing (12″ x 12″)

Based on a view from the ferry between Vancouver and Victoria. At that time in the evening, the islands you pass look dark and mysterious. The strait was smooth, reflecting the dying light as it leaked through the clouds …a moment of transition in space and time.

Tom’s extremely quirky poem …well just read it!

The sea lies calm between the rocky shores
capturing the sun’s last golden rays:
bright Day is ending, “Leave them wanting more”
she whispers as she slips away, off stage
to take off makeup, rest and smoke a fag,
while gossiping with Dawn and watching Dusk
who entertains the punters in her rags
of scattered cloud and twilight ’til she’s thrust
into the wings by Night’s commanding step
onto the boards, her retinue of stars
all keeping time until the moon has crept
up through the trap to shine, so high and far.
Day stubs her smoke and goes off to her bed
To dream of Dawn and inhibitions shed.

image (c) 2018 Hilary Farmer
poem (c) 2018 TJ Radcliffe

The look of my blog will be changing soon! I am updating it in preparation for coordinating with my NEW WEBSITE! I am super excited that it’s almost ready to launch. There will be a post soon with a link.

Lasqueti sunset …oil painting

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Lasqueti Island sunset (6″ x 8″)

One evening last summer …the air and bay were calm as the sun sank lower and lower until it was a small glowing ball above the trees.

Here is Tom’s inspired poem!

Dusk flows in like liquid light
across the mirror-surfaced bay
harbinger of coming Night
momento of the ending Day:
long shadows for the stars prepare
a sky that dark and light will share
while reflective ripples hold
the sun’s last rays in shadowed folds.
Day’s bold colours, Night’s pure black
meld together, pastel shades
create a beauty unafraid
of time’s slow ebb from flood to slack.
Bright sun in cold black water glows
Where soon more distant stars will show

image (c) 2018 Hilary Farmer
poem (c) 2018 TJ Radcliffe