I have been working on this painting (off and on) for months. I did post it once before but then after some time went by I decided to add even more layers. The overall photo doesn’t really show it well so I added some detail shots. I really do enjoy this process of building up and scraping away to reveal what’s underneath in places. It started out as a meditation on a friend’s garden I had visited and that is still there, but it dissolved and resolved into something else.
Tom wrote a deeply beautiful poem for this one.
Earth, water, air, and fire combine, combust, conflate, conspire to form the mystery of all things: the solid ground, a ghost that sings of other Edens lost to time and futures flying in their prime toward the secret, never seen. They flit and flutter, twist and lean to glimpse beyond this life’s abyss and catch a moment’s endless bliss.
This painting started life as an abstract and some elements of that are still here. However, the piece really started to develop after a visit to a friend’s beautiful garden back towards the end of August. That’s when floral elements started to show themselves. I went back and forth on this one for about a month building up layers and thinking about it before I finally decided it was finished. The title comes from the anenomes that are on the right side which are sometimes called “windflower” and as well, the feeling of a breeze drifting through the petals of all the sunlit flowers.
Here is Tom’s lovely haiku which captures the scene so succinctly.
dawn over garden summer world in soft dissolve through the morning mist