Having bought some sunflowers at the market back at the end of August, I had to paint them of course. I decided to use extra thick and juicy brushstrokes a la Van Gogh. Sunflowers just seem to want that approach.
Tom wrote a haiku that gets to the heart of the painting in so few words.
transient fires burn triumvirate of blossoms brighten summer days
These current times have me experimenting more with my art for some reason. Anyway, this is painted in acrylic which I haven’t done much with for a few years. It felt more playful and less “pressure-y” which was what I needed! And it turned out to be playful too – no surprises there! Acrylic dries so fast that if you decide a colour or shape isn’t working, you can paint over it almost right away. So different from both oils and watercolour.
Tom found inspiration for a very dynamic poem here! He adds some background information in case you’re wondering – like I did – what the heck that word means:
Thylakoids–which sound like they should be some kind of creature on
Edgar Rice Borough’s “Barsoom” (Mars)–are the structure within
chloroplasts where the light-dependent reactions that almost all life on
Earth ultimately depends on take place.
Storms of summer, raging light
crashing down as photic waves
sweep the beaches of the night
and shift dark beasts within their caves:
the sleeping thylakoids are roused
by the light in which they’re doused.
They ride the surges, open wide,
absorb the roaring solar tide
and feel some energy within
as bonds are broken and remade
within this bright and sunny glade,
a garden without sin
where simple surfaces abound
but deep beneath the truth is found.
This chaotic tangle of flowers reminded me of a country garden run wild. There’s just a hint of a fence or a shed and I really like how the blooms dissolve into the sky.
A lovely whimsical poem from Tom for this one.
It’s not just anyone we wear
these bright summer colours for,
but only you, we truly swear,
who’ve come to see us by the door
of this old shack where once there lived
a hermit. He had much to give
but kept it all for only us:
he planted, tended, went to dust.
So now we’re all that still remains
in memory of one whose will
was loneliness and life fulfilled
by solitude and gentle rains.
So only those whose hearts surrender,
to this place may see our splendor.
This abstracted floral was inspired by a photo I took on a recent visit to Victoria. What amazing gardens they have at this time of year! …well from now until September really. Great gardening climate. As you can likely tell by looking at it, I took a lot of liberties painting very loosely and feeling free with it. An impression of something can feel even more real than a photograph in some ways and that’s what I am working on achieving.
Tom has written a sonnet for this one that gives more scope for thought!
This riotous intensity of life
this flowing force of beauty growing tall
this moment of reality, a slice
of time: this Garden does not fail or fall
but bursts forthright upon the worldly stage
to teach the innocent, unlearn the sage
arrest a glance and free the troubled mind
overwhelm the proud, reward the kind.
This Garden waits for all who wander lost
across the empty spaces, forests, fields,
searching for the treasure that time yields
although their lives be rough and tempest tost.
Not somewhere after death is our reward
but here and now in beauty’s soft accord.
A new doodle was a bit overdue and some cheerful yellow flowers seemed in order. I drew these black-eyed susans from memory. I often use photographs to help me to make at least a somewhat realistic basis for a drawing even if it ends up more impressionistic. This time I went ahead without any real image – just that in my head. I wanted to create a feeling of the coming autumn with these yellow flowers. Hope you enjoy!
UPDATE: Just in, a rather lengthy ballad from Tom in the comments… here’s the first verse to get a taste.
We always called her Black-Eyed Sue
’cause she was a feisty gal
who’d black your eye for look that’s wry
or a hand laid on her pal: