Geometric abstract

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Geometric abstract (6″ x 6″ oil on raised panel)

This one was quite experimental for me. I did not use my usual transparent under layer method and was playing with some different colours. Like the previous painting this one was from my imagination …but it sure took an unusual direction!

Tom saw a whole different world within my painting and wrote this poem!

A wooden door is built into the wall
of dry-stacked stone that bounds the little lane
between the elf-mounds. Curious, and small,
the door’s ajar, a gate to other planes.
The wood is grey and weathered, like the stones
which grow with moss and lichen, ancient rime.
I put an eye up to the gap. Alone
I’ve wandered here, beyond my proper time.
A face shows by a hollow in the dusk,
someone familiar, yet so far away…
I turn and see the lane-way, feel I must
continue on my journey. I can’t stay.
Above the stars are pentagons of light
while I walk on, across the fields of night.

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

Winter ditch

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Winter ditch (8″ x 10″ oil on raised panel)

Maybe it comes from my days working in architecture, but I enjoy looking at things in “plan view” (straight down). And recently, the beauty of the minutia we usually ignore right at our feet is drawing me in. There is so much life and colour there, once I stop to really look. The summers here get quite warm and very dry so I’m enjoying the rain and wet …well most of the time!

Here’s Tom’s haiku to go with this painting. 🙂

living rill feeds green
ripe grasses catching sunlight
ditch runs with spring rain

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

Winter bouquet

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Winter bouquet (16″x 20″ oil on canvas)

 

When I bought this bouquet, it had other colours of flowers in it as well, but I just felt like trying something more monochrome. Pretty pleased with how this turned out. Even though it’s quite a bit larger than I have been painting, I got the painting laid out and largely developed in one session and finished it up in another while the oil paint was still nice and moveable. So not quite alla prima but close.

Once again, Tom has found something profound to say about my painting – this time in haiku form.

bright white cut flowers
cut glass vase catches sunlight
mourners murmur grief

image (c) 2020 Hilary Farmer
poem (c) 2020 TJ Radcliffe

Flower of spring

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Flower of spring (11″ x 14″ oil on raised panel)

I painted this towards the end of summer. The image of these early blue spring flowers had stayed in the back of my mind for months and so I finally got around to painting them. Commonly called blue squill, they are most beautiful as a grouping …like stars scattered in the grass.

Tom’s haiku celebrates their (possible) origin.

fine flower of spring
dreams of far Siberia
beneath warmer suns

image (c) 2019 Hilary Farmer
poem (c) 2019 TJ Radcliffe

Rose fantasy …oil painting

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Rose fantasy (6″ x 6″)

Like the previous painting, this one was a product of my imagination. I was focused on pattern and tone but after setting up the overall composition, this was a rare (for me) case of the painting telling me what it needed. A wonderfully joyful process!

Tom wrote a haiku to accompany this one. As usual, it feels just right for the piece!

bold rising colours
complex swift simplicities
evoke the rose

image (c) 2018 Hilary Farmer
poem (c) 2018 TJ Radcliffe

 

Spring’s crown …mandala

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Spring’s crown

A celebration of Spring! I just got a new watercolour set and may have been a little over-excited – the colours are so vibrant! Anyway, it is definitely in the spirit of the piece.

Tom’s haiku expresses its essence.

bold compact centre
buds brazenly unfolding
spring’s bright laurel crown

image (c) 2018 Hilary Farmer
poem (c) 2018 TJ Radcliffe